Bill Hanney’s North Shore Music Theatre presents ‘Titanic the Musical’. Story & Book by Peter Stone. Music & Lyrics by Maury Yeston. Directed and choreographed by Kevin P. Hill. Music Direction by Milton Granger. Scenic & Lighting Design by Jack Mahler. Original Costume Design by Jeffrey Meek. Sound Design by Alex Berg. Hair & Wig Design by Rachel Padilla-Shufelt. At North Shore Music Theatre, Beverly, MA through November 10, 2024.
by Linda Chin
Putting away the deck chairs for the winter or rearranging the metaphorical deck chairs at work getting you down? Wondering how a single sociopathic businessman’s desire for power and fame can drive a decision that trumps others’ safety and happiness? Hungry for the power of live musical performance to unite, create, and heal communities?
“Pru Payne”— Written by Steven Drukman. Directed by Paul Daugneault. Presented by SpeakEasy Stage at Boston Center for the Arts, Calderwood Pavillion, 539 Tremont St., Boston, through Nov. 16.
By Shelley A. Sackett
Karen MacDonald, recently introduced as “the empress of Boston,” adds another gem to her tiara with her portrayal of Prudence Payne, a Dorothy Parker-esque reviewer whose sharp wit, acid tongue and encyclopedic familiarity with minutiae of all things cultural have earned her many awards. We are introduced to her as she and her son, Thomas (De’Lon Grant) sit in the Brook Hollow clinic anteroom, awaiting a consultation with a doctor. The television is blaring pablum. Pru regally grabs the remote, waves it like a magic wand. She tries to turn the television set off, but can’t. She retakes her seat, slumping in confused defeat. Thomas reminds her that there are other people in the room who may want to continue watching. “Re. Member,” Pru says, enunciating each letter as if it were a syllable unto itself.
Gordon Clapp, best known for his Emmy-winning role of Detective Greg Medavoy in the long-running TV series NYPD Blue, returns to the Boston stage for the second time this year, following up his acclaimed portrayal of poet Robert Frost (Robert Frost: This Verse Business) last spring. This time around, Clapp appears in Pru Payne, an unlikely love story set in a memory care unit by Pulitzer Prize nominee and Newton native Steven Drukman (“Another Fine Mess”). Clapp plays a retired custodian who falls in love with the title character, a contemporary Dorothy Parker type whose memory is failing. The cast includes Boston theater stalwarts Karen MacDonald, Marianna Bassham, Greg Maraio, and De’Lon Grant, and runs through November 16th at the Roberts Studio Theatre, Boston Center for the Arts.
Theater Mirror spoke with Clapp during the rehearsal process.
“Nassim” — Written by Nassim Soleimanpour. Directed by Omar Elerian. A new guest performer for every show. Presented by The Huntington through October 27.
By Shelley A. Sackett
“White Rabbit, Red Rabbit,” Iranian Nassim Soleimanpour’s absurdist adventure, which sits on the boundary of comedy and drama and burst into London’s West End in 20212, changed my opinion about audience participation in theater. Not a big fan of the genre, I left the 2016 performance at New York City’s Westside Theatre a convert.
“Urinetown” – Music and Lyrics by Mark Hollmann. Book and Lyrics by Greg Kotis. Directed by Courtney O’Connor. Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston, through October 20.
By Michele Markarian
If I were to be perfectly honest – and somewhat lazy – this review would consist of only three words: See this show. But that wouldn’t be fair to the truly talented director, cast, and crew, so bear with me while I tell you why. It’s a hilarious script with a catchy score and pointed undertones that’s performed flawlessly in moments both tongue-in-cheek and sincere.
‘The Spongebob Musical” – Book by Kyle Jarrow. Conceived by Tina Landau. Arranged by Tom Kitt. Directed by Nick Vargas. Music Directed by Jon Goldberg. Choreographed by Joy Clark. Presented by Wheelock Family Theatre at 180 Riverway, Boston, MA 02215 from October 5th to October 27th.
By Helen Ganley
An iconic yellow pineapple sits on the bottom of the ocean, the calm surface masking the hilarity below. Within a world comprised of kelp, sea anemone, and delicious hamburgers, Wheelock Family Theatre’s production of The SpongeBob Musical is a must-see bubbly adventure.
‘My Best Friend’s Wedding.’ – Based on the TriStar Pictures Film. Book by Ron Bass and Jonathan Harvey. Music & Lyrics by Burt Bacharach and Hal David. Directed and Choreographed by Kathleen Marshall. Music Direction by Andrew David Sotomayor. Scenic & Costume Design by Colin Richmond. Lighting Design by Rich Latta. Sound Design by Kevin Heard. Wig/Hair & Makeup Design by Roxanne De Luna. At Ogunquit Playhouse, Ogunquit ME through October 27th.
By Linda Chin
Don’t know what to do with yourself on Wednesdays through Sundays in October? After you wake up, put on your makeup, and say a little prayer, grab a good friend, bestie, or if you have a gay best friend – and head up the great big freeway (I-95) to the Ogunquit Playhouse to see the world premiere of the new rom-com musical My Best Friend’s Wedding.
“Dirty Rotten Scoundrels”. Music and Lyrics by David Yazbek. Book by Jeffrey Lane. Directed by Allison Olivia Choat. Presented by Moonbox Productions, One Arrow Street, Cambridge, through Oct. 20.
There’s a lot to love – and a ton of talent – in Moonbox Productions’ “Dirty Rotten Scoundrels,” a musical tale of three con artists looking to grift off of the well-to-do in the fictional town of Beaumont sur Mer on the French Riviera. Based on the 1988 film with Steve Martin, Michael Caine and Glenne Hedley (actually a remake of a film from 1964 called “Bedtime Story”), “Dirty Rotten Scoundrels” was made into a Broadway musical that opened in 2005 and starred John Lithgow, Norbert Leo Butz and Sherie Rene Scott. Having enjoyed the 1988 film and the Broadway musical, I went to see the Moonbox production with high expectations. With strong direction, an excellent cast, and a wonderful ensemble of singers and dancers, it did not disappoint.
‘Network’ – Based on the screenplay by Paddy Chayefsky. Adapted for the Stage by Lee Hall. Directed by Ashley Kelly Tata. Scenic Designer, Afsoon Pajoufar; Lighting & Projections Designer, Seif Allah Salotto-Cristobal; Audio Designer, Aubrey Dube; Costume Designer, Nancy Leary. Presented by Umbrella Arts Center, Main Stage Theater40 Stow St, Concord, MA, through November 3
by Mike Hoban
It’s always a challenge to bring an iconic movie to the stage, even more so when its signature line, “I’m as mad as hell, and I’m not going to take it anymore!” is one of the most recognizable in film history (#19 on the list of America’s Greatest Movie Quotes according to the American Film Institute). It’s also a lot of pressure to put on an actor, but as the network news anchor turned crazed prophet Howard Beale, Bill Mootos delivers, and he does so without mimicking the brilliantly maniacal performance of Peter Finch (who played Beale in the film). Instead, his portrayal of Beale is more of a world-weary “grand old man of the news” gone mad, and it works beautifully – without losing any of the intensity of the character.
Trinity Rep’s second show of their 61st season is the Rhode Island premiere of “Ms. Holmes and Ms. Watson-Apt-2B” by Kate Hamill. She lampoons the famed fictional character of Detective Sherlock Holmes, and his befuddled sidekick Doctor Watson and cheerfully desecrates Arthur Conan Doyle’s original characters and time frame with gender and time setting adjustments.
This show is set during the post-pandemic in the spring of 2021 with Ms. Watson, a wayward American traveling around Europe, arriving in England. She rents a room from the kindly Mrs. Hudson and ends up with a bitter roommate, Ms. Sherlock Holmes. Holmes is a police consultant whose deductions make up for a frenetic personality. She decides her new roommate has run away from her past as a doctor, so Holmes turns Watson into the role of her sidekick, who accompanies her to solve multiple violent crimes that all seem to lead to a notorious villain. Along the way they develop a close friendship as they humorously solve many cases along the way. Hamill combines many of Conan Doyle’s storylines into her script, creating wild and crazy hijinks, adventures, and mysterious events.
Two other performers play multiple roles in the show, one as the kindly landlady, Mrs. Hudson, and the seductive Irene Adler, the other as the sweet Inspector Lestrade, and a Texas billionaire, Mr. Monk, with a shady past. The revolving situations thrown their way keep the audience entertained and laughing merrily all night long. Director Laura Kepley chose four strong performers for these roles and elicited comic moments of hilarity from each of them and a poignant revelation in Act 2. She supplies them with clever shtick with an undercover of mysterious elements thrown into the mix. The enthusiastic audience revels in the engaging mystery-solving with humor thrown into the mix. This splendid cast receives a spontaneous standing ovation at the close of this wonderfully directed show.
Keply is aided in her task by scenic designer Collette Pollard, costume designer Shahrzad Mazaheri, Dawn Chiang lighting designer and Sartje Pickett sound designer who all do their jobs marvelously. The stage manager’s and her crew’s expertise in changing the set pieces from many locations is excellently rendered.
Leading the cast in these two iconic roles now played by women in this show are Renata Eastlick as Sherlock Holmes and Madeline Maby as Joan Watson. As Holmes, Eastlick runs the gamut of emotions from sulky brooder to inquisitive roommate to excellent crime solver. The rapid delivery of her lines, listening to classical music, and mystery-solving are astounding. Holmes is also a sloppy housekeeper and lives by the motto not to use outside help of the internet, but seemingly doesn’t have empathy until Watson shows her the way. Renata gives a tour de force performance in this role as the by-the-book detective finally learns how to become a friend to someone at long last. The outstanding sword-fighting choreography by Mark Rose is marvelous to behold.
Maby also delivers a terrific portrayal of the world-weary doctor Watson, who has been overwhelmed by the once-in-a-lifetime pandemic. Trying as hard as she can to escape her past as a doctor, Holmes keeps demanding her help at every turn to try to bring her back to life by solving all these crimes and curing her of her worries and fears. Madeleine shines in this role with her frightened expressions, and funny exclamation of “What the frig” when Holmes surprises her constantly, but she also delivers the goods in a heartfelt explanation of what upset her and upended her life in America. That was how upset she was with the burnout and trauma that Watson felt in the medical field. They have great chemistry together as the leads in this show.
Angela Brazil delivers an amazing performance as she transforms into all these diverse characters, ranging from a kindly older Scottish woman delivering funny one-liners all night long to a Cockney supposedly grieving widow with a secret to hide to a sexy vamp, femme fatale that will stop at nothing to achieve her goals and entrances everyone she comes into contact with. Jeff Church is another marvelous performer who plays multiple roles. His characters include Inspector Lestrade, who is warm and understanding and then turns on a dime as the overbearing billionaire hiding many sexual secrets from his senate career in Texas. His entrance in this role will leave you rolling the aisles with laughter. Jeff also plays a role that will leave you stunned. He also narrates some of the show. Some of these portrayals need to be seen to be believed. Needless to say, the audience enjoys the madcap adventures all night long from the extremely well-written, acted, and directed script. So, if you need to escape from the trials and tribulations of the outside world, be sure to catch “Ms Holmes and Ms Watson-Apt-2B” and it will certainly brighten up your night. For tickets, go to trinityrep.com or call the box office before this run is completely sold out.
MS HOLMES AND MS WATSON-APT-2B (3 October to 17 November)
Trinity Repertory Company, 201 Washington Street, Providence, RI