Central Square Theater’s ‘SPACE’ Explores A New Frontier Of History

Catharine K. Slusar, Kaili Y. Turner, Hui Ying Wen, MK Tuomanen in ‘Space’ at Central Square
Photo by: Nile Scott Studios

‘SPACE’ — Written by LM Feldman. Directed by Larissa Lury. Scenic Design by Qingan Zhang. Costume Design by Charlotte Snow. Lighting Design by John R. Malinowski. Properties Design by Julia Wonkka. Sound Design by Nate Tucker, Movement direction and intimacy coordination by Lindsay Torrey. Presented by Central Square Theater, 450 Massachusetts Ave, Cambridge, MA 02139 through February 23rd.

by Helen Ganley

In an interview dated October 22, 2022, NASA historian Jennifer Ross-Nazzal asked Dr. Sally Ride what the agency needed to add to the flight kit, considering that women would be in space for the first time. Dr. Ride recalled, “I remember the engineers trying to decide how many tampons should fly on a one-week flight; they asked, ‘Is 100 the right number?’”

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Tap and Piano Fuse Magically in the Unique ‘Counterpoint’

Conrad Tao (L) and Caleb Teicher in ‘Counterpoint, presented by Celebrity Series of Boston
Photo by Richard Termine

Celebrity Series of Boston presents Caleb Teicher & Conrad Tao in ‘Counterpoint.’ At the Boston Arts Academy Theater, Feb. 7-8.

By Shelley A. Sackett

Counterpoint, the 75-minute collaboration between pianist and composer Conrad Tao and choreographer and dancer Caleb Teicher, is a magical journey that explores the interplays between two seemingly divergent art forms — tap and solo piano.

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A Formidable Foursome in ‘Forbidden Broadway: Merrily We Stole A Song’ 

Cast of ‘Forbidden Broadway’ at Emerson Colonial Theatre
Chris Collins-Pisano, Nicole Vanessa Ortiz, Jenny Lee Stern, John Wascavage

Forbidden Broadway: Merrily We Stole A Song by Creator, Writer, Director Gerard Alessandrini. Choreography by Gerry McIntyre. Graphics & Onstage Projection Design by Glenn Bassett. Costume Design by Dustin Cross. Hair & Wigs by Ian Joseph. At Emerson Colonial Theatre, 106 Boylston Street, Boston, February 8-9, 2025.

By Linda Chin

“Old farts” who may have seen the original Forbidden Broadway during its seven year run at the Park Plaza in the ‘80s and ‘90s, theatergoers of all ages – especially those of you who spell theatre with an -re instead of -er, and fans of the late composer and lyricist Stephen Sondheim were treated to an evening of belly laughs as the Emerson Colonial Theatre brought the newest version of the Forbidden Broadway franchise, Merrily We Stole a Song, for a limited run this past weekend.

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‘Life & Times of Michael K’ is ArtsEmerson’s Latest Must-See Marvel

‘Life & Times of Michael K’ at ArtsEmerson. Photos by Fiona McPherson

‘Life & Times of Michael K’ — Adapted and Directed by Lara Foot in collaboration with Handspring Puppet Company. Based on the book written by J.M Coetzee. Adaptors and Puppetry Direction by Basil J.R. Jones and Adrian P. Kohler. Puppetry Design by Adrian P. Kohler. A Baxter Theatre Centre and Düsseldorf Schauspielhaus Production. Presented by ArtsEmerson at the Emerson Paramount Center, Robert J. Orchard Stage, 559 Washington St., through February 9.

By Shelley A. Sackett

In substance, Life and Times of Michael K tells the extraordinary story of an ordinary man. Adapted from the 1983 Booker Prize winner, written by South African novelist J. M. Coetzee, it details the life of the eponymous Michael K and his ailing mother during a fictional civil war in South Africa.

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In Burbage & WomensWork’s Production of ‘hang”, Expect to Hang on Every Word

Margaret Melozzi, MJ Daly, and Aaron Morris in Burbage Theatre Cos. ‘hang’

Burbage Theatre Co., in partnership with WomensWork Theatre Collaborative, present the Rhode Island premiere of ‘hang’ by debbie tucker green. Lynne Collinson, Director. Trevor Elliott, Set Design. Riley Nedder, Costume Design. At the Wendy Overly Studio Theatre, 59 Blackstone Avenue, Pawtucket, RI, through February 16, 2025.

By Linda Chin

It wasn’t long after I took my seat in the cozy and intimate Overly Studio Theatre that I began to suspect that an intriguing experience was in store.

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ASP’s ‘The Piano Lesson’ is a Supernatural Theatrical Experience

Jade Guerra, “ranney”, Jonathan Kitt and Omar Robinson in Actors’ Shakespeare Project’s production of August Wilson’s The Piano Lesson. Photos by Nile Scott Studios.

‘The Piano Lesson’ – Play by August Wilson. Directed by Christopher V. Edwards. Scenic Design by Jon Savage; Costume Design by Nia Safarr Banks; Lighting Design by Isaak Olson; Sound Design by James Cannon. Presented by Actors’ Shakespeare Project in partnership with Hibernian Hall. At Hibernian Hall, Boston, through Feb. 23.

By Mike Hoban

As the cold January winds send a chill through the streets of Boston and the change in the nation’s political climate sends shivers through the hearts of our most vulnerable, Actors Shakespeare Project has delivered a masterpiece of a production – just when we need it most. For the third straight year, ASP has staged a selection from August Wilson’s 10-play American Century Cycle about the Black experience in 20th Century America, and while the previous offerings (Seven Guitars in 2023 and King Hedley II last year) were both on my (and most reviewers) annual ‘Best Of’ lists, ASPs The Piano Lesson catapults Wilson’s work into the stratosphere.

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“The Look of Love” a Delightful Antidote to the Winter Blahs

“The Look of Love” by Mark Morris Dance Group.  Choreographed by Mark Morris. Music by Burt Bachrach. Lyrics by Hal David. Music Direction by Colin Fowler. Presented by Arts Emerson, Emerson Cutler Majestic Theatre, 219 Tremont Street, Boston, through January 26.

By Michele Markarian

Admittedly, I was not in the zippiest frame of mind when I entered the Emerson Cutler Majestic Theatre the other night – the climate, both in Massachusetts and the nation, was feeling chilly.  We settled into Ethan Iverson’s thoughtful, regretful piano rendition of “Alfie,” after which the curtain parted, and the ten dancers entered, dressed in Isaac Mizrahi’s colorful unisex clothing – think Rowan and Martin’s “Laugh-In” with regards to the colors – and carrying pieces of the simple set while gamboling lightly to an upbeat rendition of “What the World Needs Now.” They were smiling. And just like that, my mood was lifted. And stayed that way throughout the rest of the hour-long performance, which was aided by live musicians and two wonderful vocalists, Blaire Reinhard and Clinton Curtis. 

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Theater Mirror’s Shelley Sackett Interviews Modern Dance Visionary Mark Morris

The Mark Morris Dance Company in The Look of Love. Photo: Julieta Cervantes

The Mark Morris Dance Group returns to Boston with Morris’ evening-length work, The Look of Love at Emerson Cutler Majestic Theatre from January 23 through January 26. The piece is a wistful and heartfelt homage to the chart-topping hits of Burt Bacharach, a towering figure of popular music, newly arranged by jazz pianist, composer, and MMDG musical collaborator Ethan Iverson. Bacharach’s melodies and unique orchestrations soar with influences from jazz, rock, and Brazilian music. The stage comes alive in a powerful fusion of dance and music with an exceptional ensemble of vocals, piano, trumpet, bass, and drums, led by singer, actress, and Broadway star Marcy Harriell.

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Malpaso Dance Company Brings Its Hot Fusion of Cuban Dance, Music, and Spice to Boston’s Winter Wonderland

Malpaso Dance Company. Photos by Robert Torres

Celebrity Series of Boston presents Malpaso Dance Company. Executive Director and Co-Founder Fernando Sáez. Artistic Director and Co-Founder Osnal Delgado. At the Robert J. Orchard Stage, Paramount Center, January 17-18.

By Shelley A. Sackett

With good reason, Malpaso Dance Company is one of Cuba’s most sought-after dance companies. Since its inception in 2012, the company of 11 dancers has served as global ambassadors of Cuban culture, heritage and artistry.

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Lyric Stage’s ‘Crumbs from the Table of Joy’ Has A Tale to Tell       

Cast of Lyric Stage’s ‘Crumbs From The Table Of Joy’. Photos: Mark S. Howard 
Thomika Marie Bridwell, Madison Margaret Clark, and Dominic Carter 

Crumbs from The Table Of Joy.’ Written by Lynn Nottage. Directed by Tasia A. Jones. Sound Design by Aubrey Dube. Costume Design by Mikayla Reid. Scenic Design by Cristina Todesco. Lighting Design by Eduardo Ramirez. Produced by Lyric Stage at 140 Clarendon Street, 2nd Floor, Boston, through February 2nd.

By Shelley A. Sackett

Luck

Sometimes a crumb falls
From the tables of joy,
Sometimes a bone
Is flung.

To some people
Love is given,
To others
Only heaven.

— Langston Hughes

James Mercer Langston Hughes, best known for his Harlem Renaissance Jazz Poetry, wrote “Luck” in 1947. The poem can be interpreted as a commentary on unfairness, deprivation, and the pursuit of love. It could also be read as a reminder of the injustices faced by Black Americans and other “have-nots’ who must bear witness to the overflowing bounty of the “haves” and hope they are in the right place at the right time to scoop up the discarded scraps.

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